ZiiGaat Luna Review
ZiiGaat Luna Review
Introduction:
The ZiiGaat Luna features six-driver configuration tuned for a neutral-warm sound profile. The setup consists of two Sonion 39AY008 drivers for low frequencies, handling bass reproduction for complex audio mixes. Two Knowles 32873 drivers manage the midrange, processing vocals and instruments. Finally, the two Knowles 33518 drivers address high frequencies, covering the treble range with extended frequency response. The Luna is constructed with 3D-printed resin shells and hand-crafted faceplates, designed for aesthetic appeal and ergonomic fit. Moreover, it includes a modular cable with 3.5mm and 4.4mm terminations for connectivity options.
This review examines its design, comfort, and sound quality, providing an evaluation of its performance in the competitive IEM market.
Disclaimer:
I would like to thank Linsoul and ZiiGaat for providing the Luna 6BA In-Ear Monitor for review purposes. I am not affiliated with Linsoul and ZiiGaat beyond this review and these words reflect my true and unaltered opinions about the product.
Price & Availability:
The ZiiGaat Luna is available for $379 USD. More information’s can be found under the link below;
Package & Accessories:
The ZiiGaat Luna arrives in a compact cardboard box featuring the ZiiGaat logo and an image of the IEMs, secured with foam inserts for safe transport. The packaging, simple yet functional, prioritizes content protection.
Included in the box:
- ZiiGaat Luna IEMs (1 pair)
- Modular Silver-Plated OFC Cable (3.5mm and 4.4mm plugs)
- Silicone Ear Tips (3 pairs, S/M/L, black, narrow-bore for bass emphasis)
- Silicone Ear Tips (3 pairs, S/M/L, white, wide-bore for mids/treble clarity)
- Foam Ear Tips (1 pair)
- Leather Carrying Case with internal compartments
- Warranty Card and User Manual
The modular cable, offering interchangeable 3.5mm and 4.4mm terminations, provides versatility for various audio sources. Multiple ear tip options allow customization of fit and sound. The leather carrying case is practical and enhances the unboxing experience.
Design & Build Quality:
The ZiiGaat Luna features a lightweight and durable construction, utilizing 3D-printed medical-grade resin for its shells, which are designed for ergonomic comfort and aesthetic appeal. The IEM is equipped with a six-driver balanced armature configuration, with two Sonion 39AY008 drivers for low frequencies, two Knowles 32873 drivers for midrange, and two Knowles 33518 drivers for high frequencies, all housed within the compact resin shells. Attention to detail is evident in the hand-crafted components.
The Luna’s faceplates are hand-crafted from 3D-printed medical-grade resin, featuring a pearlescent finish with a greenish-blue hue and light-reflecting particles. Each faceplate has unique texture variations, creating a captivating blend of deep blue and green hues with a dynamic gradient effect.
Delicate specks of iridescent pink and purple are scattered across the surface, adding a touch of sparkle that catches the light beautifully. The “ZiiGaat” logo is prominently displayed in white, centered on the faceplate, offering a sleek and elegant contrast to the vibrant background. The glossy finish enhances the luxurious feel.
The stainless-steel sound nozzle features a fine mesh that prevents debris buildup and ensures consistent audio output. Its standard diameter and moderate length allow for compatibility with various aftermarket ear tips, enabling fit customization. A subtle lip securely holds ear tips in place, preventing slippage.
The Luna branding and serial number are located near the nozzle.
The Luna uses recessed 0.78mm 2-pin connectors, integrated into the shell for a secure cable connection. The connectors allow easy cable swaps without damage, accommodating users who prefer aftermarket cables.
The vent at the rear surface aids acoustic performance by balancing pressure.
The Cable:
The modular cable, crafted from silver-plated oxygen-free copper, ensures efficient signal transmission. Its lightweight, flexible construction, encased in a transparent sheath, minimizes microphonics and tangling.
The cable features 3.5mm and 4.4mm plugs housed in sturdy metal casings with alignment markers for easy swapping.
The cable is equipped with 0.78mm dia. 2-Pin connctors, and pre-formed ear hooks enhance comfort during extended use.
The build quality of the cable is pretty good and the modular adaptor design is a good addition.
Fit, Comfort & Isolation:
The Luna’s medium-small shells and ergonomic contours provide a secure fit for most ear sizes, though slight protrusion may occur in smaller ears. The Luna offers effective passive noise isolation, reducing ambient noise in environments like public transport or cafes.
Technical Specifications:
- Model : Luna
- Driver Technology : 6 x Balanced Armature Drivers (2 x Sonion 39AY008 for bass, 2 x Knowles 32873 for mids, 2 x Knowles 33518 for treble)
- Frequency Response : 20Hz–32kHz
- Sensitivity : 103dB
- Impedance : 26Ω
- THD : 0.57%
- Connector Type : 0.78mm 2-Pin
- Plug : Modular 3.5mm Single-Ended, 4.4mm Balanced
- Cable Length : about 120cm
Drivability & Pairing:
The ZiiGaat Luna, with an impedance of 26Ω and a sensitivity of 103dB, is relatively easy to drive, performing well with portable sources such as ddHiFi TC44Pro E3 or iBasso Nunchaku. Higher-end sources, like the iBasso the FiiO M23 or iBasso DX260 MK2, enhance detail, dynamics, and soundstage width. While basic dongles are sufficient for casual listening, premium sources maximize the Luna’s performance for critical listening applications.
Albums & tracks used for this review:
- Norah Jones – Come Away With Me (Apple Music Lossless)
- Adele – My Little Love (Apple Music Lossless)
- Sarah McLachlan – Angel (Flac 24bit/48kHz)
- Sertap Erener – Aşk (Flac 16bit/44.1kHz)
- Edith Piaf – Non Je Ne Regrette Rien (Flac 16bit/44.1kHz)
- Diana Krall – So Wonderful (DSF)
- Aretha Franklin – I Say A Little Payer (Flac 24bit/96kHz)
- Michael Jackson – Billie Jean (Flac 24bit/96kHz)
- George Michael – Don’t Let the Sun Go Down on Me (Flac 24bit/192kHz)
- David Bowie – Heroes (Flac 24bit/192kHz)
- Elton John – Rocket Man ((Flac 24bit/96kHz)
- Barry White – Just The Way You Are (Flac 24bit/48kHz)
- Isaac Hayes – Walk On By (Flac 16bit/44.1kHz)
- Sting – Englishman in New York – (Flac 24bit/48kHz)
- Eric Clapton – Wonderful Tonight (Flac 24bit/96kHz)
- Dave Gahan – Kingdom (Tidal Hi-Fi)
- Radiohead – Live in Berlin “Album” (Apple Music Lossless)
- Radiohead – Pyramid Song (Apple Music Lossless)
- U2 – Sunday Bloody Sunday (Flac 16bit/44.1kHz)
- Muse – Hysteria (Flac 24bit/96kHz)
- Red Hot Chili Peppers – Nobody Weird Like Me (Flac 24bit/48kHz)
- Michael Jackson – Billie Jean (Flac 24bit/96kHz)
- Bear McCreary’s – Valkyries (Deezer HiFi)
- Bro Safari, UFO! – Drama (Deezer HiFi)
- Armin Van Buuren – Vini Vici (Flac 16bit/44.1kHz)
- Daft Punk – Instant Crush (Flac 24bit/96kHz)
- Daft Punk – Doin’ it Right (Flac 24bit/96kHz)
- Lorde – Royals (Flac 24bit/48kHz)
- Massive Attack – Angel (Flac 24bit/48kHz)
- Toutant – Rebirth (Deezer HiFi)
- Gogo Penguin – Raven (Flac 24bit/192kHz)
- Gogo Penguin – Murmuration (Flac 24bit/192kHz)
- Portishead – It Could Be Sweet (Apple Music Lossless)
- Hans Zimmer – The Dark Knight OST (Flac 24bit/96kHz)
- Max Richter – On the Nature of Daylight (Flac 24bit/96kHz)
- Charly Antolini – Duwadjuwandadu (Flac 24bit/192kHz)
- Tchaikovsky – Symphony No. 5 (Flac 16bit/44.1kHz)
- Ferit Odman – Look, Stop & Listen (Flac 24bit/192kHz)
- Chopin – Nocturn No. 20 In C-Sharp Minor (Flac 16bit/44.1kHz)
- Clair de Lune – Claude Debussy (Spotify)
- Fazıl Say – Nazım Oratoryosu (Live) (Flac 16bit/44.1kHz)
- Vivaldi – Le QuarttroStagioni “The Four Season” (Apple Music Lossless)
- Pink Floyd – Shine On You Crazy Diamond (Apple Music Lossless)
- Miles Davis – So What (Deezer HiFi)
- Otto Liebert& Luna Negra – The River (Flac 24bit/192kHz)
- Lunatic Soul – The Passage (Flac 16bit/44.1kHz)
- Deftones – My Own Summer (Shove it) (Flac 16bit/44.1kHz)
- Metallica – Dyers Eve (Flac 24bit/96kHz)
- Metallica – Sad but True (Flac 24bit/96kHz)
- Opeth – Windowpane (Flac 16bit/44.1kHz)
- Megadeth – Sweating Bullets (Tidal Hi-Fi)
- Rush’s – Tom Sawyer (Flac 16bit/44.1kHz)
- Slayer – Angel of Death (Spotify)
- Liquid Tension Experiment 2 – Acid Rain (Spotify)
- Yosi Horikawa – Bubbles (Spotify)
Equipment’s used for this review:
- IEM’s : ZiiGaat Luna, Hidizs MS5, LetShuoer Cadenza4
- DAP&DAC’s : iBasso DX260 MK2, FiiO M23, ddHiFi TC44Pro E3, iBasso Nunchaku
- Burn-in Period : 55 hours
- Ear Tips : Stock Black Silicone Tips
- Cable : Stock 2-pin Cable
The Sound:
The ZiiGaat Luna, an all-balanced armature IEM, brings a smooth and inviting sound with a touch of warmth, gently accentuating bass and treble for a well-rounded listening experience. Its six drivers work together to produce clear, precise audio across all frequencies, offering tight bass, open mids, and crisp highs, all tied together by a wide stage and sharp imaging.
Bass:
The Luna’s low end, driven by two Sonion 39AY008 drivers, hits with precision and control, making it a great fit for detailed tracks. Listening to Michael Jackson’s Billie Jean, the kick drum comes through tight and punchy, sitting cleanly alongside vocals without any bleed. In orchestral pieces like Max Richter’s On the Nature of Daylight, the bass lays down a steady, grounded layer that supports the music without stealing focus. It’s quick, with no lingering rumble, which suits genres like jazz, classical, or pop where nuance matters.
The all-BA setup delivers solid low-end performance, holding its own in complex arrangements, though it doesn’t match the raw, thunderous impact of dynamic driver IEMs in genres like EDM or hip-hop, giving up a bit of that visceral punch. For listeners who crave accuracy over sheer power, the Luna’s bass feels just right, offering a refined foundation that keeps intricate recordings clear and balanced. It’s the kind of low end that audiophiles and professionals will appreciate for its focus on detail and restraint, making it a strong pick for critical listening across varied styles.
Midrange:
The Luna’s midrange draws you in with a clean, natural sound that carries a slight warmth, making vocals and instruments feel vibrant and engaging across a variety of music. Female vocals, like those in Norah Jones’ Come Away With Me, come through with a smooth, intimate quality, revealing delicate phrasing and emotional depth that pull you into the song. Male vocals, such as Sting’s in Englishman in New York, carry a rich, textured tone, with lower midrange frequencies adding weight and fullness to the voice without muddiness.
The midrange, powered by two Knowles 32873 drivers, delivers precise vocal and instrumental details, keeping the music true to its source. In busy tracks, guitars and saxophones hold their own, each occupying a clear space in the mix, with upper midrange frequencies lending clarity and sparkle to strings and vocals. This makes the Luna a great fit for genres like jazz, acoustic, folk, or pop, where vocal and instrumental detail are essential. The lower mids avoid congestion, while the upper mids stay smooth, steering clear of harshness. It’s a midrange that blends technical clarity with a musical touch, perfect for listeners or professionals who want an authentic, versatile sound that handles both simple and complex arrangements with ease.
Treble:
The Luna’s treble, powered by two Knowles 33518 drivers, sparkles with clarity and finesse, delivering highs that are crisp yet easy on the ears. In progressive rock like Opeth’s Windowpane, cymbals and atmospheric details cut through cleanly, standing apart from the lower frequencies to keep the mix cohesive. On metal tracks like Megadeth’s Sweating Bullets, guitar riffs and hi-hats pop with precision, holding their place in fast, intricate passages without losing focus. The treble stays smooth, steering clear of any sharpness, which makes long listening sessions comfortable, even for those who notice bright frequencies.
The treble range of the Luna shines in genres like classical, progressive rock, and metal, where detailed highs bring out the texture of complex arrangements. The Luna’s high-frequency performance feels lively yet controlled, revealing subtle nuances without overwhelming the listener. This makes it a great fit for both casual music lovers and professionals who need accuracy for critical listening. Its ability to handle intricate details, from delicate cymbal taps to soaring guitar lines, ensures a refined and fatigue-free experience, making the Luna a solid choice for anyone chasing clear, natural highs across a broad spectrum of musical styles.
Soundstage & Imaging:
The Luna offers a wide, open soundstage for a balanced armature IEM, creating a sense of space that pulls you into the music. Its imaging is sharp, placing instruments and vocals with pinpoint accuracy, making it easy to pick out each element in the mix. While it doesn’t quite reach the vastness of some hybrid IEMs, the Luna’s stage and imaging are impressive for professional monitoring or immersive listening, delivering a clear and cohesive sound across all kinds of music.
Comparisons:
ZiiGaat Luna vs. LetShuoer Cadenza4:
When it comes to bass, the ZiiGaat Luna offers a clean, precise sound with a touch of warmth. It delivers a balanced low end that emphasizes clarity and detail, ensuring the bass integrates smoothly without overpowering other frequencies. The LetShuoer Cadenza4, equipped with a 10mm beryllium-coated dynamic driver, produces a neutral bass with a slight sub-bass boost. You’ll notice controlled low-end extension with a focus on quality, though it lacks mid-bass punch. The Luna’s tighter, more articulate bass slightly outshines the Cadenza4’s refined but less impactful low-end. If you’re after crisp, controlled bass, the Luna takes a slight lead, while the Cadenza4 suits those seeking subtle sub-bass texture.
Regarding the midrange, the Luna shines with clear, slightly warm vocals. Female voices are rendered with smooth expressiveness, while male voices have a rich depth, and instruments stay distinctly separated even in complex tracks. The LetShuoer Cadenza4 features a vibrant, forward midrange, delivering crisp, natural vocals and instruments. Its lively presence can feel slightly bright in busy songs. The Luna’s warmer, richer vocal tone gives it a slight edge for emotive delivery, while the Cadenza4 offers crisper, more transparent mids. For smooth, engaging mids, the Luna leads subtly, but if you prefer a brighter, detailed midrange, the Cadenza4 is appealing.
Moving into the treble, the Luna delivers crisp, refined highs that balance detail with smoothness, ensuring comfortable listening even during long sessions. The LetShuoer Cadenza4 counters with airy, extended treble, infusing tracks with clear sparkle. It can occasionally sound less polished in certain recordings. The Luna’s polished, fatigue-free treble nudges ahead for its refined clarity, while the Cadenza4’s airier highs may need careful source pairing to avoid brightness. If you prefer a smooth, polished treble, the Luna takes a slight lead, but fans of bright, open highs will favor the Cadenza4.
Finally, looking at soundstage and imaging, the Luna creates an open soundstage that immerses you in a spacious, cohesive soundscape, with precise imaging that effortlessly places instruments for a vivid experience. The LetShuoer Cadenza4 offers a wide, atmospheric stage, enveloping the listener in depth, though its imaging is a touch less sharp. The Luna’s pinpoint imaging and cohesive stage give it a slight advantage for intricate tracks, while the Cadenza4’s broader presentation captivates with a grander sense of space, appealing to those who prefer a sweeping sound.
ZiiGaat Luna vs. Hidizs MS5:
The ZiiGaat Luna and Hidizs MS5 offer distinct sonic signatures, particularly noticeable in their low-end presentations. The Luna provides a clean and precise bass, imbued with a subtle warmth that ensures a balanced and detailed low end, integrating smoothly into the overall sound without overwhelming other frequencies. In contrast, the Hidizs MS5, with its hybrid dynamic driver, delivers a deeper and more robust bass, characterized by enhanced sub-bass power and a fuller, more commanding presence. While the MS5’s low end offers a bold and immersive quality, slightly surpassing the Luna in sheer impact, the Luna maintains its appeal with a refined and articulate sound, favoring precision. Ultimately, the MS5 caters to those desiring a richer and more intense bass, yet the Luna remains a strong contender for a well-rounded low-end experience.
Shifting focus to the midrange, the Luna shines with a clear, slightly warm vocal delivery. Female voices are rendered with smooth expressiveness, and male voices gain rich depth, all while instruments remain distinctly separated even in intricate mixes. The Hidizs MS5, on the other hand, presents a U-shaped tuning, resulting in a warmer, slightly recessed midrange. Here, vocals and instruments adopt a more relaxed tone, occasionally losing prominence in busier tracks. The Luna’s transparency gives it an edge for vocal clarity, whereas the MS5 offers a cozier, less forward sound. If vibrant vocal presence is what you seek, the Luna will likely appeal, but those preferring a warmer, more laid-back midrange may find the MS5 more to their liking.
When it comes to the treble, the Luna delivers crisp, refined highs that expertly balance detail with smoothness, ensuring a comfortable listening experience, even during long sessions. The Hidizs MS5, however, counters with a brighter, more vibrant treble, infusing tracks with lively sparkle. This can sometimes verge on sharpness with certain recordings. The Luna’s approach feels gentler, prioritizing fatigue-free listening, while the MS5 emphasizes energetic clarity, which might benefit from careful source matching. For a polished, easygoing treble, the Luna is ideal, but fans of a bold, dynamic high end will likely prefer the MS5.
Considering soundstage and imaging, the Luna crafts an open soundstage that truly immerses listeners in a spacious, cohesive soundscape. Its precise imaging effortlessly places instruments for a vivid experience. Moving to the Hidizs MS5, its hybrid design yields a broader, more cinematic stage, enveloping the listener in depth, though its central imaging feels just a touch less sharp. The Luna’s focused placement excels in intricate tracks, but the MS5’s expansive presentation captivates with a grander sense of space, appealing to those who favor a sweeping sound over pinpoint precision.
Conclusion:
The ZiiGaat Luna carves a distinct niche in the IEM market with its neutral-warm sound signature, seamlessly blending precision with musical charm. Its six-driver balanced armature configuration delivers crisp bass, lucid mids, and vibrant treble, making it a stellar pick for audiophiles and professionals diving into genres like jazz, classical, pop, and progressive rock. Fashioned from lightweight medical-grade resin with hand-crafted faceplates, it marries striking aesthetics with ergonomic comfort and robust noise isolation for immersive listening. The modular cable, equipped with 3.5mm and 4.4mm terminations, offers effortless adaptability to diverse audio sources, while the included ear tips and leather carrying case elevate practicality and personalization. Priced at $379 USD, the Luna provides a polished, fatigue-free listening experience infused with subtle warmth, making it an inspired choice for those who prioritize clarity, balance, and versatility in their audio exploration.
Pros & Cons:
- + Neutral-warm sound with precise bass (tight kick drums in pop, controlled low-end in jazz)
- + Clear mids (smooth vocals in acoustic, detailed guitars in rock, rich saxophones in jazz)
- + Vibrant treble (crisp cymbals in progressive rock, sparkling strings in classical, clean hi-hats in metal)
- + Sharp imaging for precise instrument placement
- + Lightweight, ergonomic resin shells for comfort
- + Hand-crafted faceplates with elegant design
- + Modular 3.5mm/4.4mm cable for versatility
- – Bass, while precise and fast with great separation, may lack quantity for bass enthusiasts
- – Slight protrusion in smaller ears
Thank you for the Read!
