ORIVETI bleqk Dynabird Review

 

ORIVETI bleqk Dynabird Review

 

Introduction:

ORIVETI is an innovative brand founded in 2015 to provide high-fidelity audio products for daily use. The engineering and design team, experienced in the earphone industry, has released numerous popular products such as the Primacy, OH300, OH500, OH700VB hybrid IEMs, and other models like the O400 and O800/OV800 featuring a fully Balanced Armature Driver configuration.

The Dynabird is part of the new “bleqk” series (Basic Line Exquisite Quality Kept), alongside the Lowmaster Universal IEMs. The bleqk Dynabird features a Single Driver configuration, an Exclusive Be-Coated 9.2mm Dynamic Driver with Dual Chamber design. The Dynabird boasts a solid CNC-milled aluminum shell body and a 2-Pin connector interface at the top.

Disclaimer:

I would like to thank the ORIVETI for providing me the Dynabird In-Ear Monitor for review purposes. I am not affiliated with ORIVETI beyond this review and these words reflect my true and unaltered opinions about the product.

 

Price & Availability:

The ORIVETI bleqk Dynabird is a budget friendly IEM that is actually available for $99.00 USD. More information’s can be found under the link below;

 

Package & Accessories:

The ORIVETI bleqk Dynabird arrives in a box featuring the Oriveti brand logo on the top. The box is wrapped in a grey cardboard sleeve adorned with product-related branding.

Inside the box are the following contents/accessories;

  • 1 pair x ORIVETI bleqk Dynabird In-Ear Monitors
  • 1 pcs x 4 Core Detachable Cable with 2-Pin connectors
  • 1 pcs x Zipper Case
  • 3 pairs x Bullet Shape S, M, L Silicone Tips
  • 4 pairs x Bowl Shape S, M, L, XL Silicone Tips (one pair is pre-installed)

 

Design & Build Quality:

With its clean lines and precision-crafted CNC-milled aluminum shell, the ORIVETI bleqk Dynabird offers a timeless and refined aesthetic. The metal body makes it look durable and stylish. The symmetrical design with the ORIVETI logo and bleqk branding gives it a clean, industrial look. The circular pattern on the front adds depth and character, while the circular pattern on the front adds depth and character.

The ORIVETI bleqk Dynabird IEMs feature a 9.2mm beryllium-coated dynamic driver unit. This specialized driver design, utilizing a lightweight and rigid beryllium material, is known for its application in premium in-ear monitors. According to ORIVETI, the dual-chamber design of the driver contributes to a more robust and dynamic sound profile.

The inner surface of the monitors features a slightly outward-facing sound nozzle equipped with a custom designed filter. This filter is a combination of a metal plate with small openings and a dampener behind it, not only preventing the insertion of dust and earwax but also serving as a special sound tuning filter for the Dynabird. Furthermore, near the sound nozzle, there’s a tiny pressure relief opening.

On top of the monitors is a 2-Pin female connector interface that is offering a pretty tight and secure connection.

Near the 2-pin connectors is a second opening, likely dedicated for the 9.2mm diameter Dynamic Driver.

Close to the 2-pin connectors, the monitors feature precisely engraved “R” (Right) and “L” (Left) markings, emphasizing the clean and functional industrial design of the Dynabird.

The ORIVETI bleqk Dyanbird arrives with the 4 core multi-strand wire cable that has a relative soft TPU outer insulation with low microphonic effect.

The cable has a braided design and sports transparent heat-shrink ear guides near de 2-Pin connectors for a more comfortable over ear wearing experience. The 2-Pin male connectors do have a metal housing with left and right indicators on their surface.

The y-splitter and chin slider are made of metal material.

The 3.5mm Single Ended plug is gold plated and has a straight profiled metal housing that has the “bleqk by ORIVETI” branding on the top. The strain relief that is fixed to the headphone plug housing gives the cable extra durability.

 

Comfort & Isolation:

The ORIVETI bleqk Dynabird can provide a comfortable and secure fit when used with the right ear tips. Its small form factor and symmetrical design contribute to a comfortable wearing experience, even for extended listening sessions. The included silicone ear tips offer above-average passive noise isolation sufficient enough for the use in relative noisy environments such like a bus or train.

 

Technical Specifications:

  • Driver Configuration              : Single Full-Range Dynamic Driver Unit
  • Driver Type                           : Exclusive Be-Coated 9.2mm Dynamic Driver
  • Impedance                            : 16Ω
  • Frequency Response           : 10 – 20000Hz
  • Sensitivity                             : 105dB ±3dB/mW, 1000Hz
  • Distortion                               : 0.08%
  • Plug                                       : 3.5mm Gold Plated Stereo Plug
  • Cable Length                        : about 120cm

 

Paring & Drivability:

The ORIVETI bleqk Dynabird is a source friendly IEM with a 16-ohm impedance and 105dB sensitivity. It can be easily driven by various sources like smartphones and tablets with 3.5mm headphone output, or portable USB DAC/AMP dongles (ONIX Alpha XI1). No special amplification or equalization is needed to enjoy its sound quality, but it can be enhanced with personal fine-tuning.

 

Equipment’s used for this review:

  • IEM’s              : ORIVETI bleqk Dynabird, KIWI EARS Quartet
  • DAP&DAC’s  : FiiO M23, ONIX Alpha XI1

 

Albums & tracks used for this review: 

  • Adele – My Little Love (Tidal)
  • Randy Crawford – On Day I Will Fly Away (Flac 16bit/44.1kHz)
  • Hayley Westenra – Odyssey Album (Dezzer HiFi)
  • Dionne Warwick – Walk On By (Flac 16bit/44.1kHz)
  • Sarah McLachlan – Angel (Flac 24bit/48kHz)
  • Sertap Erener – Aşk (Flac 16bit/44.1kHz)
  • Edith Piaf – Non Je Ne Regrette Rien (Flac 16bit/44.1kHz)
  • Diana Krall – So Wonderful (DSF)
  • Aretha Franklin – I Say A Little Payer (Flac 24bit/96kHz)
  • Sonya Yoncheva – (Giuseppe Verdi) II Trovatore, ActI (Flac 24bit/96kHz)
  • George Michael – Don’t Let the Sun Go Down on Me (Flac 24bit/192kHz)
  • David Bowie – Heroes (Flac 24bit/192kHz)
  • Elton John – Rocket Man ((Flac 24bit/96kHz)
  • Barry White – Just The Way You Are (Flac 24bit/48kHz)
  • Isaac Hayes – Walk On By (Flac 16bit/44.1kHz)
  • Sting – Englishman in New York – (Flac 24bit/48kHz)
  • Eric Clapton – Wonderful Tonight (Flac 24bit/96kHz)
  • B. King – Riding With The King (Tidal Hi-Fi)
  • Dave Gahan – Kingdom (Tidal Hi-Fi)
  • U2 – Sunday Bloody Sunday (Flac 16bit/44.1kHz)
  • Muse – Hysteria (Flac 24bit/96kHz)
  • Rush – YYZ (Flac 16bit/44.1kHz)
  • Red Hot Chili Peppers – Nobody Weird Like Me (Flac 24bit/48kHz)
  • Bro Safari, UFO! – Drama (Deezer HiFi)
  • Armin Van Buuren – Vini Vici (Flac 16bit/44.1kHz)
  • Daft Punk – Doin’ it Right (Flac 24bit/96kHz)
  • Jo Blankenburg – Meraki (Spotify)
  • Lorde – Royals (Flac 24bit/48kHz)
  • Massive Attack – Angel (Flac 24bit/48kHz)
  • Toutant – Rebirth (Deezer HiFi)
  • John Mayer – Gravity (Apple Lossless)
  • Gogo Penguin – Raven (Flac 24bit/192kHz)
  • Gogo Penguin – Murmuration (Flac 24bit/192kHz)
  • Portishead – It Could Be Sweet (Spotify)
  • Max Richter – On the Nature of Daylight (Flac 24bit/96kHz)
  • Charly Antolini – Duwadjuwandadu (Flac 24bit/192kHz)
  • Ferit Odman – Look, Stop & Listen (Flac 24bit/192kHz)
  • Chopin – Nocturn No. 20 In C-Sharp Minor (Flac 16bit/44.1kHz)
  • Fazıl Say – Nazım Oratoryosu (Live) (Flac 16bit/44.1kHz)
  • Vivaldi – Le QuarttroStagioni “The Four Season” (Deezer HiFi)
  • Otto Liebert& Luna Negra – The River (Flac 24bit/192kHz)
  • Lunatic Soul – The Passage (Flac 16bit/44.1kHz)
  • Deftones – My Own Summer (Shove it) (Flac 16bit/44.1kHz)
  • Metallica – Sad but True (Flac 24bit/96kHz)
  • Opeth – Windowpane (Flac 16bit/44.1kHz)
  • Megadeth – Sweating Bullets (Tidal Hi-Fi)
  • Rush’s – Leave That Thing Alone (Flac 16bit/44.1kHz)
  • Slayer – Angel of Death (Spotify)
  • Liquid Tension Experiment 2 – Acid Rain (Spotify)
  • Yosi Horikawa – Bubbles (Spotify)

 

The Sound:

The ORIVETI bleqk Dynabird offers a well-rounded sound profile with a V-shaped emphasis, delivering a satisfying balance of impactful bass, clear midrange, and extended treble. Its 9.2mm beryllium-coated dynamic driver provides a robust and dynamic presentation, capable of handling a relative wide range of musical genres. This part of the review will focus into the specific frequency ranges and how the Dynabird handles them.

The ORIVETI bleqk Dynabird review was written after a burn-in period of approximately 100 hours, which is a must have since it shows audible improvements especially in the upper midrange and treble. I used the stock Bullet Shape Silicon Ear Tips and the detachable cable included in the package and have paired the IEM with sources like the FiiO M23 (DAP) and ONIX Alpha XI1 (DAC/AMP dongle).

Bass:

The ORIVETI bleqk Dynabird’s bass response is both impactful and controlled, delivering a satisfying amount of low-end punch without being overly boomy. While it may not satisfy the needs of dedicated bassheads, it offers a well-balanced bass presentation that complements the overall sound signature. The sub-bass extension is impressive, as demonstrated by tracks like Armin van Buuren’s “Vini Vici”. The intricate basslines of Gogo Penguin’s “Murmuration” are reproduced with clarity and definition, showcasing the Dynabird’s ability to handle complex bass passages. Furthermore, tracks like Michael Jackson’s “Billie Jean” highlight the Dynabird’s ability to reproduce the tight and punchy basslines that are characteristic of classic pop music.

For example, when listening to a double bass in a classical piece or an electric bass guitar in a rock song, you’ll notice the Dynabird’s ability to deliver a deep, resonant and punchy sound, respectively.

Midrange:

The midrange of the ORIVETI bleqk Dynabird is presented in a natural and balanced manner. Vocals are reproduced with clarity and warmth, allowing for sufficient identification of individual instruments within a mix. Norah Jones’ “Come Away With Me” highlights the Dynabird’s ability to convey the emotional depth of female vocals in the midrange. For those who prefer a brighter midrange, Diana Krall’s “So Wonderful” showcases the Dynabird’s capability to reproduce upper midrange frequencies with good level of clarity. Meanwhile, Eric Clapton’s “Wonderful Tonight” demonstrates the IEM’s ability to handle male vocals in the lower midrange with warmth and depth. The guitar playing on tracks like John Mayer’s “Gravity” is reproduced with good sense detail and texture, showcasing the Dynabird’s ability to resolve relative complex midrange textures.

Treble:

The treble range of the ORIVETI bleqk Dynabird sounds pretty extended, airy, and quite detailed, fulfilling my expectations from a Single Dynamic Driver IEM at this price level. The high frequencies are well-controlled and avoid sounding harsh or sibilant. This makes the Dynabird a good choice for those who enjoy a bright and lively sound signature. Tracks like Megadeth’s “Sweating Bullets” highlight the Dynabird’s ability to reproduce the aggressive and fast-paced nature of metal music, with its intricate guitar work and cymbal crashes. The cymbal crashes in tracks like Rush’s “Tom Sawyer” are reproduced with an efficient level of clarity and decay, showcasing the Dynabird’s ability to handle high-frequency transients quite well at this price tag.

Soundstage & Imaging:

The soundstage is relatively intimate, providing a focused and engaging listening experience. While it may not offer the expansive soundstage of some higher-end IEMs, it still delivers a good sense of depth and width. The imaging is precise, allowing you to easily pinpoint the location of individual instruments within the soundstage.

 

Comparison:

ORIVETI bleqk Dynabird versus KIWI EARS Quartet:

Both the ORIVETI Bleqk Dynabird and the KIWI EARS Quartet deliver satisfying bass responses. The Dynabird’s bass showcases slightly better control and clarity, making it more refined and enjoyable. The Quartet’s bass is more prominent and impactful, but some listeners might find it a bit overwhelming.

The KIWI EARS Quartet’s midrange is bold, warm, and smooth, particularly pleasing for male vocals. The ORIVETI Bleqk Dynabird’s midrange is crisp, bright, and transparent, with minimal bass bleed and well-balanced male vocals. The Dynabird’s upper midrange offers slightly better clarity for female vocals and instruments, sounding more detailed.

Both IEMs handle treble frequencies with finesse for their price level. The Dynabird’s treble is slightly brighter, adding a touch of sparkle to cymbals and high-pitched instruments. The Quartet’s treble is smoother, offering a more relaxed and less fatiguing listening experience. However, the Quartet is missing some subtle details that are audible with the Dynabird.

The ORIVETI Bleqk Dynabird offers a wider and more expansive soundstage, creating a more realistic sense of space and depth. The Quartet’s soundstage is more focused and intimate, which might be better suited for those who prefer a more upfront listening experience.

 

Conclusion:

The ORIVETI bleqk Dynabird is a well-crafted pair of in-ear monitors designed with both aesthetics and durability in mind. Despite being a budget-friendly IEM, it offers a well-rounded V-shaped sound profile with a good emphasis on clarity. Its 9.2mm beryllium-coated dynamic driver and dual-chamber design deliver a robust and dynamic presentation. Its bass response offers a satisfying mix of impact and control, while the midrange is presented in a fairly natural and balanced manner. The treble range is extended and airy, without sounding harsh or sibilant. However, I do strongly recommend to burn-in the IEM for at least 100 hours, which improves the overall performance especially in the upper midrange and treble area.

 

Pros & Cons:

  • + Well-rounded V-shaped sound profile
  • + Excellent Subbass response
  • + Clarity of the Midrange
  • + Crips and Airy Treble presentation
  • + The CNC-milled shell and precision craftsmanship offer a durable and stylish design
  • + Good detachable cable

 

  • – Beryllium-coated dynamic driver needs at least 100 hours of burn-in for optimal performance
  • – May require experimentation with third party ear tips (fit & comfort)
  • – While the cable is good for the price, a swappable headphone plug design would be a welcome

 

Thank you for the Read!

 

 

 

 

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