ZiiGaat x Hangout.Audio Odyssey 2 Review

  

Introduction:

The ZiiGaat x Hangout.Audio Odyssey 2 is a hybrid in-ear monitor featuring a five-driver configuration tuned for a balanced sound profile with a touch of warmth and dynamic energy. The setup comprises one 10mm bio-cellulose dynamic driver for low frequencies, delivering robust bass for intricate audio mixes. Two Knowles RAF 32873 drivers handle the midrange, ensuring clear reproduction of vocals and instruments. One Knowles RAD 33518 driver manages high frequencies, providing extended treble response. Constructed with lightweight aluminum alloy shells and hand-poured resin faceplates, the Odyssey 2 prioritizes both aesthetic sophistication and ergonomic comfort. It includes a modular cable with 3.5mm and 4.4mm terminations for versatile connectivity.

This review examines its design, comfort, and sound quality, providing my evaluation of its performance in the competitive IEM market.

 

Disclaimer:

I would like to thank Linsoul and ZiiGaat for providing the Odyssey 2 Hybrid In-Ear Monitor for review purposes. I am not affiliated with Linsoul and ZiiGaat beyond this review and these words reflect my true and unaltered opinions about the product.

 

Price & Availability: 

The ZiiGaat x Hangout.Audio Odyssey 2 is available for $249 USD. More information can be found under the link below:

• ZiiGaat x Hangout.Audio Odyssey 2 Hybrid IEM

 

Package & Accessories:

The ZiiGaat x Hangout.Audio Odyssey 2 is presented in a compact cardboard box displaying the ZiiGaat and Hangout.Audio logos alongside an image of the IEMs, with foam inserts ensuring secure transport. The packaging design is streamlined and functional, prioritizing the safety of the contents while maintaining a refined unboxing experience.

The package contains the following items:

• 1 × ZiiGaat x Hangout.Audio Odyssey 2 IEM
• 6 × Pairs of silicone ear tips (S/M/L, black and transparent)
• 1 × Pair of foam ear tips (S/M/L)
• 1 × High-Performance 4-Core OFC + Silver Litz Cable
• 2 x Pairs of replaceable mesh filters
• 1 × Premium carrying case
• 1 × 3.5mm plug
• 1 x 4.4mm plug
• 1 × Warranty card
• 1 × Wearing diagram/user instruction card

The modular cable design facilitates connection to various audio sources through the provision of both 3.5mm and 4.4mm terminations. The selection of eight pairs of ear tips (silicone and foam, including narrow and wide-bore options) enables users to optimize fit and modify the acoustic output. The leather carrying case provides a designated storage solution, and the inclusion of spare mesh filters offers replacement components for maintenance.

 

Design & Build Quality:

The ZiiGaat x Hangout.Audio Odyssey 2 features a pretty lightweight and robust construction, utilizing CNC-machined aluminum alloy for its shells, designed for both ergonomic comfort and aesthetic appeal. The IEM is equipped with a five-driver hybrid configuration, featuring one 10mm bio-cellulose dynamic driver for bass, two Knowles RAF 32873 drivers for midrange, and one Knowles RAD 33518 driver for treble, all housed within the compact aluminum shells. The precision of the driver integration reflects meticulous engineering, ensuring seamless acoustic performance.

The Odyssey 2’s faceplates are hand-poured from high-quality resin, featuring a deep black base with a glossy finish that shifts subtly under light. Embedded within the resin are fine silver and teal flecks, creating a shimmering effect that adds depth and individuality to each pair. The faceplates show unique pattern variations, making every unit visually distinct. The “ZiiGaat” logo is etched in silver at the center, offering a clean, sophisticated contrast against the dark backdrop. A polished coating enhances durability and gives the faceplates a luxurious, jewel-like quality that catches the eye.

The stainless-steel sound nozzle is equipped with a fine mesh filter to prevent debris accumulation, ensuring consistent audio output. Its standard diameter and carefully angled design accommodate a wide range of aftermarket ear tips, allowing me to fine-tune the fit for optimal comfort. A subtle ridge around the nozzle secures ear tips firmly, preventing slippage during extended use. The Odyssey 2 branding and serial number are discreetly engraved near the nozzle, maintaining a minimalist aesthetic that I appreciate for its understated elegance.

A small vent on the rear of the shell balances internal pressure, optimizing the dynamic driver’s bass response while maintaining acoustic clarity across frequencies.

The IEM employs recessed 0.78mm 2-pin connectors, seamlessly integrated into the shell for a secure and durable cable connection. This design facilitates easy cable swaps, catering to audiophiles who prefer aftermarket options.

The modular cable is a standout feature, crafted from oxygen-free copper (OCC) in a Type 4 Litz structure, comprising four cores, each with 29 wires of 0.08mm diameter, resulting in a 26AWG gauge. The cable is insulated with durable PVC, ensuring flexibility and longevity, and weighs approximately 20g (without plugs), making it lightweight for daily use. Measuring 122cm (±2cm) in length, the cable minimizes microphonics and tangling, offering a comfortable experience during extended listening.

The 3.5mm single-ended and 4.4mm balanced plugs are housed in robust aluminum casings, each with engraved alignment markers for effortless swapping. The cable’s metal Y-splitter is sleek and lightweight, featuring a smooth-sliding chin adjuster for a customized fit. Pre-formed ear hooks, designed with a gentle curve, ensure comfort during long listening sessions, and I found the overall construction to be premium and tangle-resistant, making it a pleasure to use on the go.

The ZiiGaat x Hangout.Audio Odyssey 2’s build quality, with its lightweight aluminum shells, hand-crafted faceplates, and meticulously designed cable, reflects a commitment to both durability and visual elegance, making it a standout in its price range.

 

Fit, Comfort & Isolation:

The Odyssey 2’s medium-sized shells and ergonomic contours provide a secure fit for most ear sizes, though I noticed slight protrusion in smaller ears during testing. The included ear tips, consisting of transparent clear gel for balanced sound, translucent black gel for enhanced isolation, and foam for balanced comfort, offer ample customization options. The Odyssey 2 delivers ab above average passive noise isolation, effectively reducing ambient noise in environments such as public transport, offices, or noisy cafes.

 

Technical Specifications:

• Model : Odyssey 2
• Driver Technology : 1 x Dynamic Driver + 3 x Balanced Armature Drivers (1 x 10mm bio-cellulose for bass, 2 x Knowles RAF 32873 for mids, 1 x Knowles RAD 33518 for treble)
• Frequency Response : 20Hz–20kHz
• Sensitivity : 105dB
• Impedance : 20Ω
• THD : <0.5%
• Connector Type : 0.78mm 2-Pin
• Plug : Modular 3.5mm Single-Ended, 4.4mm Balanced Cable
• Cable Length: 122cm ±2cm
• Cable Weight: 20g (without plug)
• AWG Gauge: 26AWG

 

Drivability & Pairing:

The ZiiGaat x Hangout.Audio Odyssey 2, with an impedance of 20Ω and a sensitivity of 105dB, is relatively easy to drive, performing well with portable sources such as the iBasso D17 Atheris DAC, FiiO M21 DAP, and ONIX Beta XI2 USB DAC/AMP. These pairings unlock varying degrees of synergy, enhancing the Odyssey 2’s balanced V-shaped signature through differences in power delivery, tonal character, and dynamic control.

When paired with the FiiO M21 DAP, equipped with quad Cirrus Logic CS43198 DAC chips and up to 950mW of output power in Super High Gain mode, the Odyssey 2 benefits from the player’s clean, neutral-warm tonality and low noise floor. The M21’s ample headroom drives the hybrid drivers effortlessly, adding a touch of openness to the soundstage and precise imaging that complements the IEM’s airy treble extension. This synergy excels in genres like jazz and acoustic tracks, where the M21’s linear mids enhance vocal intimacy without introducing hiss, even at higher volumes. The DAP’s Android 13 platform also allows seamless integration for streaming, making it a versatile daily driver that scales the Odyssey 2’s performance for both casual and critical listening.

The iBasso D17 Atheris DAC, featuring a dual discrete R2R and 1-bit architecture with dual Korg Nutube tubes and up to 1200mW of balanced output, brings a rich, analog-like warmth to the Odyssey 2’s presentation. The D17’s FPGA-Master 3.0 processing and femtosecond oscillators ensure ultra-low jitter, resulting in exceptional detail retrieval and a holographic soundstage that elevates the IEM’s hybrid dynamics. This pairing performs strongly with the Odyssey 2’s bio-cellulose bass driver, providing textured sub-bass rumble and controlled mid-bass punch, while the Nutube amplification adds a subtle harmonic glow to vocals and strings in classical or orchestral pieces. For power-hungry sessions, the D17’s stepped attenuator offers precise volume control, minimizing distortion and maximizing the IEM’s transient speed, which is ideal for rock and electronic genres where dynamic swings demand headroom without fatigue.

The ONIX Beta XI2 USB DAC/AMP, with dual CS43198 DACs, dual JAN6418 tubes, and up to 550mW at 32Ω via its enhanced BUF634 and OPA1662 op-amp stage, introduces a hybrid tube-solid-state warmth that synergizes beautifully with the Odyssey 2’s energetic tuning. The XI2’s tube output mode infuses the mids with musicality, smoothing any potential treble peaks while preserving extension, and its high/low gain options provide flexible power scaling for sensitive IEMs. This setup thrives in pop and metal tracks, where the DAC’s 768kHz/32-bit and DSD512 support reveals micro-details in complex mixes, and the portable design ensures low noise for on-the-go use. While basic dongles suffice for casual playback, these premium sources, each offering distinct power reserves and tonal flavors, maximize the Odyssey 2’s technical prowess, delivering superior clarity, dynamics, and immersion for discerning listeners across varied setups.

 

Albums & Tracks Used for this Review:

Vocal Jazz / Smooth Jazz

• Norah Jones – Come Away With Me (Flac 24bit/96kHz)
• Diana Krall – So Wonderful (DSF)
• Barry White – Just The Way You Are (Flac 24bit/48kHz)
• Isaac Hayes – Walk On By (Flac 16bit/44.1kHz)
• Sting – Englishman in New York (Flac 24bit/48kHz)
• Otto Liebert & Luna Negra – The River (Flac 24bit/192kHz)
• Ferit Odman – Look, Stop & Listen (Flac 24bit/192kHz)
• Charly Antolini – Duwadjuwandadu (Flac 24bit/192kHz)

Soul / R&B

• Aretha Franklin – I Say A Little Prayer (Flac 24bit/96kHz)
• Adele – My Little Love (Apple Lossless)
• George Michael – Don’t Let the Sun Go Down on Me (Flac 24bit/192kHz)
• Eric Clapton – Wonderful Tonight (Flac 24bit/96kHz)

Pop / Rock Classics

• Michael Jackson – Billie Jean (Flac 24bit/96kHz)
• Elton John – Rocket Man (Flac 24bit/96kHz)
• David Bowie – Heroes (Flac 24bit/192kHz)
• U2 – Sunday Bloody Sunday (Flac 16bit/44.1kHz)
• Lorde – Royals (Flac 24bit/48kHz)
• Dave Gahan – Kingdom (Apple Lossless)

Electronic / Experimental

• Daft Punk – Instant Crush (Flac 24bit/96kHz)
• Daft Punk – Doin’ it Right (Flac 24bit/96kHz)
• Bro Safari, UFO! – Drama (Apple Lossless)
• Armin Van Buuren – Vini Vici (Flac 16bit/44.1kHz)
• Yosi Horikawa – Bubbles (Apple Lossless)
• Toutant – Rebirth (Apple Lossless)

Alternative / Indie / Art Rock

• Radiohead – Live in Berlin “Album” (Apple Lossless)
• Radiohead – Pyramid Song (Apple Lossless)
• Muse – Hysteria (Flac 24bit/96kHz)
• Red Hot Chili Peppers – Nobody Weird Like Me (Flac 24bit/48kHz)
• Lunatic Soul – The Passage (Flac 16bit/44.1kHz)
• Portishead – It Could Be Sweet (Apple Lossless)
• Gogo Penguin – Raven (Flac 24bit/192kHz)
• Gogo Penguin – Murmuration (Flac 24bit/192kHz)
• Massive Attack – Angel (Flac 24bit/48kHz)
• Bear McCreary – Valkyries (Apple Lossless)

Classical / Orchestral

• Max Richter – On the Nature of Daylight (Flac 24bit/96kHz)
• Chopin – Nocturne No. 20 in C-Sharp Minor (Flac 16bit/44.1kHz)
• Clair de Lune – Claude Debussy (Apple Lossless)
• Tchaikovsky – Symphony No. 5 (Flac 16bit/44.1kHz)
• Vivaldi – Le Quattro Stagioni “The Four Seasons” (Apple Lossless)
• Fazıl Say – Nazım Oratoryosu (Live) (Flac 16bit/44.1kHz)

Jazz / Instrumental

• Miles Davis – So What (Apple Lossless)

World / Traditional

• Sertap Erener – Aşk (Flac 16bit/44.1kHz)
• Edith Piaf – Non Je Ne Regrette Rien (Flac 16bit/44.1kHz)

Metal / Progressive Rock

• Metallica – Dyers Eve (Flac 24bit/96kHz)
• Metallica – Sad but True (Flac 24bit/96kHz)
• Megadeth – Sweating Bullets (Apple Lossless)
• Opeth – Windowpane (Flac 16bit/44.1kHz)
• Deftones – My Own Summer (Shove It) (Flac 16bit/44.1kHz)
• Rush – Tom Sawyer (Flac 16bit/44.1kHz)
• Slayer – Angel of Death (Apple Lossless)
• Liquid Tension Experiment 2 – Acid Rain (Apple Lossless)

 

Equipment’s used for this review:

• IEMs: ZiiGaat x Hangout.Audio Odyssey 2, ZiiGaat Luna, Hidizs MS5
  
• DAPs & DACs: iBasso D17 Atheris, FiiO M21, ONIX Beta XI2
  
• Burn-in Period: 55 – 60 hours
  
• Ear Tips: Stock Transparent Clear Gel Tips
  
• Cable: Stock Modular Cable

 

 

The Sound:

Sound Introduction:

The ZiiGaat x Hangout.Audio Odyssey 2 is engineered as a hybrid In-Ear Monitor that delivers a balanced and dynamic sonic presentation. The tuning provides a foundation of musicality with a mildly accentuation of the low and high frequencies, resulting in an engaging yet cohesive listening experience. Its five-driver configuration is designed to reproduce detailed audio across the spectrum, characterized by impactful bass, defined midranges, and extended high frequencies. The sound signature is complemented by a pretty expansive soundstage and precise stereo imaging, making it versatile for a wide array of musical genres.

 

Bass:

The low-frequency reproduction is managed by a single 10mm bio-cellulose dynamic driver, achieving a suitable balance between depth and control. This characteristic is effective for tracks requiring both impact and articulation. For instance, in recordings like Michael Jackson’s Billie Jean, the kick drum provides a tight, forceful transient impact that remains clearly separate from the vocal frequencies, avoiding midrange bleed. In orchestral material, such as Hans Zimmer’s The Dark Knight OST, the sub-bass frequencies generate a palpable low-end presence, enhancing cinematic scale while retaining clarity within complex layering. In jazz, the upright bass carries a textured and grounded presence, supporting the instrumental interplay without dominance.

In electronic music, the bass offers a rhythmic and satisfying foundation. The hybrid architecture facilitates articulate bass with a good level of decay, which suits fast-paced tracks by maintaining a clear distinction between notes. In classical recordings, such as Tchaikovsky’s Symphony No. 5, the bass remains subtle, complementing the string sections without becoming dominant. While the low end is deep and engaging, the quantity of bass may not align with the extreme emphasis found in some bass-focused IEMs, positioning it as an ideal choice for listeners prioritizing a refined, musical foundation suitable for intricate recordings across pop, jazz, classical, and electronic genres.

 

Midrange:

The midrange is characterized by a quite clear and musical presentation that renders vocals and instruments with natural timbre and appropriate depth. The dual Knowles RAF 32873 drivers ensure accurate reproduction, allowing elements like piano or guitar to occupy distinct positions within the mix, even during busy arrangements. Female vocals, as in Norah Jones’ Come Away With Me, are presented with an intimate and smooth quality, capturing subtle phrasing and nuances. Male vocals, such as Sting’s in Englishman in New York, exhibit a rich, full-bodied tone, where lower midrange frequencies contribute weight without introducing muddiness.

The midrange effectively handles acoustic tracks by revealing subtle textural shifts, while maintaining vocal clarity and presence in pop songs. For rock tracks, the Odyssey 2 ensures guitars and vocals drive the rhythm without congestion. In jazz, instruments like saxophones and pianos are articulated with both warmth and detail, making this midrange profile effective for genres where instrumental and vocal fidelity are critical. The upper mids introduce a touch of necessary presence to strings without crossing into harshness, supporting comfortable long-term listening. This midrange is designed to blend technical precision with musicality, making the Odyssey 2 suitable for authentic sound reproduction across both simple and complex recordings.

 

Treble:

The high-frequency response, driven by a single Knowles RAD 33518 driver, exhibits clarity and extension. The treble is tuned to be lively yet smooth, contributing to a non-fatiguing listening experience. In genres like progressive rock, cymbals and atmospheric effects cut through cleanly, maintaining clear separation from the lower frequencies to ensure mix cohesion. Metal tracks showcase crisp guitar harmonics and hi-hat transients that maintain precision during fast, intricate passages. The treble avoids sharp or sibilant characteristics, which is beneficial for extended listening, even for users sensitive to elevated high frequencies.

In classical music, the treble highlights delicate string harmonics with an airy quality, enhancing the perceived space of the performance. For electronic tracks, the highs add vibrancy to synth lines, contributing to the track’s overall energy without becoming overwhelming. The treble performance excels in jazz, where cymbal taps are rendered with detail, and ambient tracks, where subtle high-frequency elements contribute to an immersive atmosphere. This combination of detail and smoothness positions the Odyssey 2 as a versatile option for listeners seeking accurate yet comfortable high-frequency reproduction across diverse musical styles.

 

Soundstage & Imaging:

The ZiiGaat x Hangout.Audio Odyssey 2 produces pretty wide soundstage for an IEM, creating a spacious and three-dimensional listening environment. In tracks with significant stereo separation, such as Pink Floyd’s Shine On You Crazy Diamond, atmospheric and instrumental elements are distributed across a broad canvas. Imaging precision is pretty high for a IEM at this price level, allowing instrumental and vocal elements to be located with clear accuracy, even in dense mixes. This spatial clarity enhances orchestral works and live recordings by providing a realistic sense of scale and instrument placement. While its spatial presentation is competitive, the Odyssey 2’s soundstage and imaging are effective for both immersive listening and monitoring purposes, providing a cohesive and detailed presentation across various genres.

 

Comparisons:

ZiiGaat x Hangout.Audio Odyssey 2 vs. ddHiFi Surface:

The ZiiGaat x Hangout.Audio Odyssey 2 and ddHiFi Surface exhibit contrasting philosophies in bass reproduction. The Odyssey 2, utilizing its 10mm bio-cellulose dynamic driver, provides a low-end that effectively balances impact with textural control, resulting in a deep and engaging foundation suitable for dynamic music genres. Conversely, the ddHiFi Surface, with its 1DD + 4BA hybrid architecture, delivers a bass response that leans towards a sub-bass focus, offering significant low-end extension but with a reduced mid-bass presence. The Surface’s bass appeals to those who favor a more analytical and less intrusive low-end profile, while the Odyssey 2 is structured for listeners seeking a fuller, more robust bass delivery.

In the midrange, the Odyssey 2 establishes a clear advantage. It offers a highly articulate and slightly warm presentation, providing smooth expressiveness that enhances vocal and instrumental textures while maintaining separation, even within complex mixes. The ddHiFi Surface, tuned with a mid-centric approach, delivers a clean and transparent midrange, prioritizing clarity but with a somewhat reserved tonality that can sound more distant. The Odyssey 2 excels in delivering engaging and intimate mids, particularly beneficial for genres where vocal texture and emotional depth are paramount. The Surface, by contrast, suits listeners who prioritize transparency and a flatter, more analytical presentation in the midrange.

The distinction in treble performance also favors the Odyssey 2. The Odyssey 2 provides extended, airy high frequencies that successfully combine detail retrieval with an overarching smoothness, supporting fatigue-free listening. The ddHiFi Surface delivers a competent, smooth, and polite treble, with solid performance in the ear-gain region, yet it features noticeably less air and extension in the upper harmonics compared to the Odyssey 2. The Odyssey 2’s refined treble is suitable for critical and extended listening sessions, whereas the Surface’s highs cater to those who prefer a less emphasized, more foundational top-end presence.

Regarding soundstage and imaging, both IEMs offer a high degree of spatial awareness. The Odyssey 2 generates a wide and immersive soundstage with precise imaging, often described as producing a holographic experience that thrives in complex orchestral and live arrangements. The ddHiFi Surface produces a spacious but slightly narrower soundstage, delivering good imaging that places elements with accuracy, with a tendency to emphasize central placement. The Odyssey 2 is the preferred choice for listeners who prioritize an expansive spatial presentation, while the Surface appeals to those who value concentrated, pinpoint accuracy within the sound field.

 

ZiiGaat x Hangout.Audio Odyssey 2 vs. Kinera Hodur:

The ZiiGaat x Hangout.Audio Odyssey 2’s bass, driven by its bio-cellulose dynamic driver, offers a deep and controlled low end with a balance of punch and texture, making it versatile across various genres. The Kinera Hodur, with its 1DD + 1BA + 1EST tribrid configuration, delivers a more pronounced and boomy bass, emphasizing sub-bass impact over precision. The Odyssey 2 provides a refined and articulate low end, ideal for listeners who prefer clarity, while the Hodur’s bolder bass appeals to those seeking a more visceral, bass-heavy experience.

In the midrange, the Odyssey 2 shines with clear, slightly warm vocals that deliver expressive and natural timbres, maintaining instrument separation even in dense mixes. Kinera Hodur, with its V-shaped tuning, presents a smooth but recessed midrange that prioritizes bass and treble over vocal prominence, resulting in a less forward but still detailed sound. The Odyssey 2 excels for vocal-centric genres, offering intimacy and clarity, while the Hodur suits listeners who enjoy a more laid-back midrange with enhanced low and high frequencies.

The Odyssey 2’s treble is crisp and extended, balancing detail with smoothness to ensure comfort during long listening sessions. The Kinera Hodur offers a brighter and more energetic treble, which adds sparkle but can occasionally border on harshness with certain sources. The Odyssey 2 is better suited for those seeking a polished, fatigue-free treble, while the Hodur appeals to listeners who prefer a lively and prominent high end.

For soundstage and imaging, the Odyssey 2 provides a wide and immersive soundstage with precise imaging, creating a spacious and cohesive listening environment. The Kinera Hodur offers a spacious soundstage with good depth and separation, but imaging that feels less expansive yet still accurate. The Odyssey 2 is ideal for those who prioritize a grand, enveloping stage, while the Hodur suits listeners who value a more intimate yet detailed presentation.

 

ZiiGaat x Hangout.Audio Odyssey 2 vs. Hidizs MS5:

The ZiiGaat x Hangout.Audio Odyssey 2 and Hidizs MS5 feature distinct sound profiles, particularly evident in their core frequencies.

Starting with the bass, the Odyssey 2 holds an advantage by delivering a deep and punchy low end that excels in texture, control, and articulation. This results in a balanced and detailed foundation. The Hidizs MS5, with its 1DD + 4BA configuration, provides a substantial bass that is fuller and more robust, focusing on sub-bass power. While the MS5 offers a strong, engaging low-end presence, the Odyssey 2 is technically superior due to its tighter control and quicker decay. The MS5 caters to listeners who prioritize raw low-end impact, but the Odyssey 2 is the better choice for controlled, high-quality bass performance.

When it comes to the nmidrange, the Odyssey 2 shows a notable difference in quality. It presents a clear, slightly warm vocal delivery, rendering voices with smooth expressiveness and natural timbre. The Hidizs MS5, due to its U-shaped tuning, has a midrange that is noticeably recessed and too warm. This tuning often causes vocals and specific instruments to sound slightly “nasal” and tonally unnatural. The Odyssey 2 is distinctly better here because of its superior clarity and timbral accuracy. While the MS5 offers a relaxed sound, the Odyssey 2 is the preferred option for anyone seeking authentic, vibrant vocal reproduction.

For the treble, the Odyssey 2 offers crisp, extended highs that balance detail with smoothness, ensuring a comfortable listening experience. The Hidizs MS5 features a brighter, more energetic treble, which adds sparkle but can occasionally introduce harshness or be fatiguing on certain tracks. The Odyssey 2 prioritizes fatigue-free detail, whereas the MS5 goes for a bolder, more intense sound. If you prefer smooth, easy-going highs, the Odyssey 2 is ideal, but fans of an elevated, energetic high end may favor the MS5.

Regarding soundstage and imaging, the Odyssey 2 creates an expansive soundstage that offers a spacious presentation, supported by accurate imaging. The Hidizs MS5’s hybrid design yields a broader, more cinematic stage, but the placement of instruments often feels less defined and slightly blurred in complex arrangements. The Odyssey 2 is more effective at pinpointing elements in busy tracks, while the MS5 appeals to those who prioritize a sweeping, expansive sound field.

 

Conclusion:

The ZiiGaat x Hangout.Audio Odyssey 2 is positioned as a competitive option for listeners seeking a versatile IEM that achieves a balance between technical accuracy and musicality. This hybrid IEM delivers a balanced, dynamic, and musically engaging sound profile. Its five-driver configuration, which features a 10mm bio-cellulose dynamic driver and Knowles Balanced Armatures, provides impactful, controlled bass, a clear and natural midrange, and extended, non-fatiguing treble. This tuning ensures versatility, allowing the IEM to perform across various musical genres.

The Odyssey 2 has solid construction, combining lightweight aluminum alloy shells with unique hand-poured resin faceplates. The accessory bundle adds functional value, including a modular cable with both 3.5mm and 4.4mm plugs and a useful selection of ear tips. Technically, the Odyssey 2 remains highly competitive at its price point, showing decent midrange fidelity and tighter bass control when compared directly to key competitors. It also responds well to high-quality audio sources, allowing for maximized technical performance.

Priced at $249 USD, the ZiiGaat x Hangout.Audio Odyssey 2 offers a notable blend of sophisticated build quality, detailed hybrid performance, and comprehensive accessories, establishing it as a strong contender in its market segment.

 

Pros & Cons:

• + Versatile sound profile
• + Delivers a deep, well-defined sub-bass foundation
• + Clear and natural midrange fidelity
• + Smooth, extended, non-fatiguing treble
• + Solid aluminum and resin build
• + Beautiful faceplate design
• + Includes modular cable (3.5mm/4.4mm)
• + Exceptional value for an all-around hybrid IEM

 

• – Could benefit from a touch more sparkle or extension for some genres.
• – Gets its best sound when paired with the right audio gear
• – Soundstage is competent but not expansive

 

Thank you for the Read!