BQEYZ Wind Review

 

Introduction:

The BQEYZ Wind In-Ear Monitors (IEMs) stand out in the competitive IEM landscape with their hybrid driver setup and striking aesthetic. This review will explore the Wind’s design, build quality, sound signature, and overall performance.

At its heart, the Wind combines a “10mm Dynamic Driver” with a “Bone Conduction Driver”, an pairing aimed at delivering a full-bodied sound. The dynamic driver handles the lower frequencies, while the bone conduction unit enhances the bass and adds a unique tactile depth. BQEYZ has chosen a single crystal copper silver-plated cable, a standard yet effective choice for this price tier. Visually, the Wind doesn’t disappoint. Its semi-open back design and metallic housing, crafted from CNC aluminum, give it a premium and distinctive look. The faceplate’s elegant simplicity complements its robust construction, making it as much a visual treat as an auditory one.

This review will dive into the BQEYZ Wind’s performance, assessing its sound quality, comfort, cable design, and value proposition.

 

Disclaimer:

I would like to thank BQEYZ for providing me the Wind In-Ear Monitor sample for review purposes. I am not affiliated with BQEYZ beyond this review and these words reflect my true and unaltered opinions about the product.

 

Price & Availability:

The BQEYZ Wind is priced at 239.00 US$ and falls within the mid-range category for in-ear monitors.

 

For more details and specifications, please refer to the links provided below:

• BQEYZ Wind In-Ear Monitor

 

Package & Accessories:

The BQEYZ Wind arrives in a sleek, compact box with a white cardboard sleeve featuring an image of the IEM and branding details on the front.

Inside the box of the BQEYZ Wind you will find the following items and accessories:

• 1 x BQEYZ Wind In-Ear Monitor
• 1 x Single crystal copper silver plated mixed cable with 0.78mm 2-Pin connectors
• 3 x pairs of “Atmosphere” Silicone Ear Tips
• 3 x pairs of “Reference” Silicone Ear Tips
• 1x pair of Foam Ear Tips
• 1 x Protective Case
• 1 x Cleaning Brush
• 1 x Print Material (Quick Start Guide & Warranty Card)

 

Design & Build Quality:

The BQEYZ Wind is meticulously constructed, featuring a CNC aluminum alloy shell that ensures durability and a polished finish. The anodized surface enhances resistance to wear and corrosion, while the 5-axis CNC machining keeps the earphones lightweight yet solid. It’s a design that feels both sturdy and refined. The IEM is available in blue and silver color options.

The Wind’s 10mm dynamic driver is engineered for strong audio output, paired with a bone conduction driver that adds a distinctive low-end texture. This hybrid setup aims to deliver impactful bass with a sense of air and depth, setting it apart from traditional driver configurations.

The faceplate is a standout feature, with its elegant, minimalist design etched into the aluminum. It reflects BQEYZ’s attention to detail, catching light subtly to enhance its premium appeal. The right earpiece bears the “BQEYZ” logo, while the left displays “Wind,” adding a touch of personality.

On the inner side, the Wind features a semi-open back design with small vents and a nozzle equipped with a filter. These elements contribute to sound dispersion and comfort.

From the top view, L/R markings, a ventilation opening, and the 2-pin connector interface make it practical and user-friendly. The semi-open design does allow some sound leakage, a trade-off for its spacious audio presentation.

The Wind comes with a detachable  cable that features a mix of “Single Crystal Copper Silver-Plated” strands, delivering reliable conductivity within a soft, 1.2m sheath.

The cable sports a subtle silver finish that complements the IEM’s metallic look. Its flexibility ensures a tangle-free experience, while the 0.78mm 2-pin connectors, housed in metal with L/R markings, provide a secure fit. Heat-shrink ear guides enhance stability during wear, and a chin slider and y-splitter keep the cable manageable.

The termination is available in 3.5mm Single-Ended and 4.4mm Balanced options. My unit came with the 4.4mm Balanced termination.

Overall, the BQEYZ Wind blends sophisticated engineering with an attractive design, offering a durable yet comfortable listening experience.

  

Fit, Comfort & Passive Isolation:

The BQEYZ Wind’s ergonomic shape makes it comfortable for long sessions, fitting securely with the right ear tips. However, the semi-open design impacts isolation, allowing some ambient noise to seep in. It performs decently in quieter settings but struggles in louder environments like public transport. Comfort remains a strength, though isolation is a compromise.

 

Pairing & Drivability:

With an impedance of 38Ω and a sensitivity of 108dB, the BQEYZ Wind is moderately easy to drive but requires more power than average to reach its full potential. Unlike easier-to-drive models, the Wind pairs best with dedicated audio equipment such as DAPs, portable DAC/AMPs, or at least a USB dongle, rather than typical smartphones or tablets.

 

Technical Specifications:

• Model              : Wind
• Driver              : 10mm Dynamic Driver + Bone Conduction Driver
• Diaphragm      : PU and PEEK Composite Diaphragm
• Freq. range     : 5 Hz – 40 kHz
• Impedance     : 38Ω
• Sensitivity       : 108dB
• Connector       : 0.78mm 2-Pin
• Cable Specs   : Single crystal copper silver plated mixed cable
• Plug Type       : 3.5mm Single Ended or 4.4mm Balanced
• Cable Length  : about 1.2m

 

Equipment’s used for this review:

• IEM’s              : BQEYZ Wind, LetShuoer Cadenza4
• DAP&DAC’s  : iBasso DX340, ONIX Alpha XI1, iFi Audio GO Blu

 

Albums & Tracks used for this review:

• Edith Piaf – Non Je Ne Regrette Rien (Flac 16bit/44.1kHz)
• Diana Krall – So Wonderful (DSF)
• Aretha Franklin – I Say A Little Payer (Flac 24bit/96kHz)
• Norah Jones – Come Away With Me (Flac 24bit/96kHz)
• Adele – My Little Love (Apple Music)
• Sarah McLachlan – Angel (Flac 24bit/48kHz)
• Sertap Erener – Aşk (Flac 16bit/44.1kHz)
• Michael Jackson – Billie Jean (Flac 24bit/96kHz)
• George Michael – Don’t Let the Sun Go Down on Me (Flac 24bit/192kHz)
• David Bowie – Heroes (Flac 24bit/192kHz)
• Elton John – Rocket Man ((Flac 24bit/96kHz)
• Barry White – Just The Way You Are (Flac 24bit/48kHz)
• Isaac Hayes – Walk On By (Flac 16bit/44.1kHz)
• Sting – Englishman in New York – (Flac 24bit/48kHz)
• Eric Clapton – Wonderful Tonight (Flac 24bit/96kHz)
• Dave Gahan – Kingdom (Apple Music Lossless)
• Radiohead – Live in Berlin “Album” (Apple Music Lossless)
• Radiohead – Pyramid Song (Apple Music Lossless)
• U2 – Sunday Bloody Sunday (Flac 16bit/44.1kHz)
• Muse – Hysteria (Flac 24bit/96kHz)
• Red Hot Chili Peppers – Nobody Weird Like Me (Flac 24bit/48kHz)
• Michael Jackson – Billie Jean (Flac 24bit/96kHz)
• Bear McCreary’s – Valkyries (Apple Music)
• Bro Safari, UFO! – Drama (Apple Music Lossless)
• Armin Van Buuren – Vini Vici (Flac 16bit/44.1kHz)
• Daft Punk – Instant Crush (Flac 24bit/96kHz)
• Daft Punk – Doin’ it Right (Flac 24bit/96kHz)
• Daft Punk – Giorgio by Moroder (Flac 24bit/96kHz)
• Lorde – Royals (Flac 24bit/48kHz)
• Massive Attack – Angel (Flac 24bit/48kHz)
• Toutant – Rebirth (Apple Music Lossless)
• Gogo Penguin – Raven (Flac 24bit/192kHz)
• Gogo Penguin – Murmuration (Flac 24bit/192kHz)
• Portishead – It Could Be Sweet (Apple Music Lossless)
• Max Richter – On the Nature of Daylight (Flac 24bit/96kHz)
• Charly Antolini – Duwadjuwandadu (Flac 24bit/192kHz)
• Tchaikovsky – Symphony No. 5 (Flac 16bit/44.1kHz)
• Ferit Odman – Look, Stop & Listen (Flac 24bit/192kHz)
• Chopin – Nocturn No. 20 In C-Sharp Minor (Flac 16bit/44.1kHz)
• Clair de Lune – Claude Debussy (Apple Music Lossless)
• Fazıl Say – Nazım Oratoryosu (Live) (Flac 16bit/44.1kHz)
• Vivaldi – Le QuarttroStagioni “The Four Season” (Apple Music)
• Miles Davis – So What (Apple Music Lossless)
• The Eagles – Hotel California (Flac 24bit/192kHz)
• Otto Liebert& Luna Negra – The River (Flac 24bit/192kHz)
• Lunatic Soul – The Passage (Flac 16bit/44.1kHz)
• Deftones – My Own Summer (Shove it) (Flac 16bit/44.1kHz)
• Dream Theater – Fall into the Light (Flac 24bit/48kHz)
• Metallica – Dyers Eve (Flac 24bit/96kHz)
• Metallica – Sad but True (Flac 24bit/96kHz)
• Opeth – Windowpane (Flac 16bit/44.1kHz)
• Megadeth – Sweating Bullets (Tidal Hi-Fi)
• Tool – Forty Six & 2 (Apple Music Lossless)
• Rush’s – Tom Sawyer (Flac 16bit/44.1kHz)
• Slayer – Angel of Death (Apple Lossless)
• Liquid Tension Experiment 2 – Acid Rain (Spotify)
• Yosi Horikawa – Bubbles (Apple Music Lossless)
• Pink Floyd – Dark Side of the Moon (Flac 24bit/48kHz)

 

 

The Sound:

After spending time with the BQEYZ Wind, I’m genuinely impressed by what it brings to the table. Its bass, with that unique bone conduction boost, delivers a rich, tactile punch that makes every beat feel alive and engaging, perfect for anyone who loves a lively low-end. The midrange wraps me in a warm, smooth embrace, giving vocals and instruments a cozy, inviting texture that’s hard to resist, even if it sits a touch back at times. Treble stays gentle and fatigue-free, offering just enough sparkle to keep things pleasant without ever pushing too hard. The soundstage opens up wide and airy, pulling me into a spacious, dynamic experience that’s a joy for layered tracks. For me, the BQEYZ Wind strikes a fantastic balance of fun and comfort, making it a standout choice for long, enjoyable listens across all sorts of genres.

This review will delve into each of these qualities in detail.

Following an 80-hour burn-in, the Wind was tested with the stock “Reference” tips and cable, using the iBasso DX340, ONIX Alpha XI1, and iFi Audio GO Blu for playback.

 

Bass:

The Wind’s bass is a standout feature, delivering a rich, impactful low-end with a unique tactile quality courtesy of the bone conduction driver. Listening to Daft Punk’s “Instant Crush,” the kick drum hits with a commanding presence, tight and controlled, while the bassline grooves with a punchy mid-bass focus. The sub-bass is present, adding depth to tracks like Lorde’s “Royals,” where the low-end rumble feels visceral yet doesn’t overpower the mix. The 808 beats carry a satisfying weight, enhanced by the bone conduction’s subtle vibration, though the emphasis leans toward mid-bass energy over subterranean extension.

For example double bass notes are articulate and textured, each pluck distinct and resonant, with the bone conduction adding a layer of physicality to the sound. A slight boost in the lower midrange complements bass drums and thicker synth tones, as heard in Daft Punk’s “Giorgio by Moroder,” where the low-end builds with authority without veering into boominess. While the bass is well-defined, a touch quicker decay could sharpen the precision in busier passages, though it rarely feels sluggish. Overall, the Wind’s low-end is bold yet balanced, offering a fun and engaging foundation.

 

Midrange:

The midrange strikes a lush, natural tone that brings vocals and instruments to life with impressive detail. Edith Piaf’s “Non, Je Ne Regrette Rien” reveals the Wind’s knack for capturing vocal emotion, her voice warm and textured with every breath and inflection audible, though it can feel slightly recessed in the mix at times. Male vocals fare equally well. Eric Clapton’s “Wonderful Tonight” showcases a rich, full-bodied delivery, his lower register blending seamlessly with the mellow acoustic guitar.

The Wind handles midrange complexity with finesse. In David Bowie’s “Heroes,” the electric guitar riffs cut through clearly, while the backing vocals retain their harmonic depth. Diana Krall’s “So Wonderful” highlights the clarity of piano chords and the subtle plucking of strings, with no artificial coloration to muddy the presentation. Detail retrieval is a strength. Small nuances like a singer’s lip smack or the decay of a guitar note in Fleetwood Mac’s “The Chain” add to the realism. That said, a slight boost in the upper midrange could make vocals pop even more, as they occasionally sit a touch behind the bass and treble. Still, the midrange remains cohesive and inviting, striking a balance between warmth and transparency.

 

Treble:

The treble on the Wind is smooth and non-fatiguing, offering a lively sparkle that avoids harshness. Dream Theater’s “Fall into the Light” brings out crisp cymbals and hi-hats, with John Petrucci’s high-pitched guitar solos soaring cleanly, all while staying comfortable for extended listening. The treble extends decently, as evidenced in Charly Antolini’s “Duwadjuwandadu,” where the airy drum fills and subtle cymbal work shimmer without sibilance or sharpness. A gentle roll-off in the upper treble, noticeable in tracks like Vivaldi’s “Spring” with its delicate violin harmonics, keeps things safe but might leave some craving more brilliance.

The Wind’s treble lift adds a sense of space. Cymbal crashes in Tool’s “Forty Six & 2” have a satisfying decay, and the triangle in orchestral pieces carries a refined shimmer. While well-controlled, the treble could benefit from a bit more emphasis to bring high-frequency details forward, especially in genres like classical or metal where crispness is key. For most listeners, though, its smooth tuning and airy presentation make it a fatigue-free delight, ideal for long sessions.

 

Soundstage & Imaging:

The soundstage is a highlight, feeling wide and open thanks to the semi-open design and hybrid driver synergy. Listening to The Eagles’ “Hotel California,” instruments are spread across a broad canvas, with the iconic guitar solo and percussion layered with noticeable depth. The bone conduction enhances the perception of space, giving bass-heavy tracks a three-dimensional quality. Imaging is precise.

Tchaikovsky’s “1812 Overture” places cannon blasts and orchestral swells in clear, identifiable spots, creating an immersive experience. While not as holographic as higher-end IEMs, the Wind’s spatial performance punches above its price, likely aided by the vented design and driver tuning. The trade-off is some sound leakage, but the payoff is a lively, expansive sound that feels bigger than its form factor suggests.

 

Comparison:

BQEYZ Wind versus LetShuoer Cadenza4:

When I listen to the BQEYZ Wind and the LetShuoer Cadenza4, I notice distinct differences in their sound signatures. The Wind delivers a robust and full-bodied bass, thanks to its hybrid driver setup that includes a bone conduction driver optimized for low frequencies. This results in a deep, impactful, and engaging bass that adds a dynamic liveliness to genres like electronic and rock. The Cadenza4, while offering a more balanced and textured bass response with a smooth mid-bass punch and detailed sub-bass, slightly trails the Wind in sheer bass impact and energy.

In terms of midrange performance, the Wind provides a rich and inviting midrange that creates an engaging listening experience. Vocals and instruments are presented with a natural sense of presence and intimacy, making it particularly enjoyable for vocal-centric tracks and acoustic performances. The Cadenza4, while also excelling in midrange clarity and detail with a natural timbre, leans slightly towards a more neutral presentation. Both are strong in this area, but the Wind brings an additional layer of warmth and body that enhances the emotional connection to the music.

When it comes to treble, the Wind has a bright and energetic treble that adds sparkle and airiness to the overall sound. This makes it exciting for genres that benefit from a more pronounced high-end, though it might be slightly fatiguing for sensitive listeners. The Cadenza4, in contrast, features a smoother and more refined treble, with a focus on tonal balance and a fatigue-free listening experience. Its treble presentation is less aggressive but still detailed, making it suitable for extended listening sessions.

As for the soundstage and imaging, the Wind offers a spacious and immersive soundstage with a wide and open presentation. Its imaging is precise, and the instrument separation is commendable, creating an engaging listening experience for complex tracks. The Cadenza4 also provides a slightly wide soundstage with impressive imaging and depth, but its presentation is more intimate and focused compared to the Wind. This makes the Cadenza4 a better choice for listeners who prefer a more cohesive and centered soundstage.

 

Conclusion:

After spending time with the BQEYZ Wind, I find it to be an impressive performer. Its hybrid setup, blending a 10mm dynamic driver with bone conduction, produces a bold, tactile bass that brings energy to every beat, ideal for those who enjoy a lively low-end. The midrange offers a warm, smooth tone, lending vocals and instruments a natural, inviting quality that’s easy to love, even if it sits slightly back at times. Treble is gentle and fatigue-free, with a subtle lift that keeps the sound airy and pleasant. The semi-open design creates a wide, spacious soundstage, delivering an immersive feel that excels with complex tracks. Comfort stands out for extended wear, though isolation takes a hit in noisier settings. Paired with its sturdy CNC aluminum build and reliable cable, the Wind combines engaging sound with practical design. For me, it’s a polished choice that balances fun and refinement, perfect for everyday listening across any genre.

 

Pros & Cons:

• + Bold, tactile bass with bone conduction boost, great for lively low-end lovers
• + Natural midrange that sounds great for both vocals and instruments
• + Gentle, fatigue-free treble with subtle sparkle, ideal for long listens
• + Wide, spacious soundstage, enhancing immersion in complex tracks
• + Comfortable ergonomic design, perfect for extended wear
• + Sturdy CNC aluminum build, offering durability and a premium feel
• + Flexible, tangle-free cable with reliable 2-pin connectors
• + Sleek, minimalist aesthetic with a polished finish

 

• – Needs a bit of amplification to shows its true potential
• – Semi-open design reduces isolation
• – I would prefer a modular headphone plug design

 

Thank you for the Read!